I work with code, data, physical computing, and archival media. My practice investigates the tension between objective reality, such as historical traumas and raw data, and the subjective illusions we build to cope with them.
A recurring theme in my work is the concept of the falsified past. We curate our memories and romanticize old technologies, searching for a version of the world that never truly existed. I contrast this false nostalgia against stark sociopolitical and environmental realities.
I wire components, translate and sculpt data, dig and process sounds through cassettes and create speculative artifacts that examine how we filter reality. My work asks viewers to confront the gaps between the world that was, the world we imagine, and the realities we live in today.